These Are the Hair Trends That Dominated Fashion Week AW26
A whole host of stunning looks
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The Autumn/Winter 2026 Fashion Week season has arrived, and so far, the hair looks have been excellent. From stacked braids to unkempt glamour, this season is shaping up to be about loose, unfussy hair, with a key point of interest.
Paris Fashion Week
Victoria Beckham: Side partings and low ponytails
The look at Victoria Beckham centred on a strong side parting and a loose, low ponytail, which championed natural texture.
Vivienne Westwood: Romy Schneider's 60's glamour
Over at Vivienne Westwood, the hair drew inspiration from actress Romy Schneider and the glamour of the 1960s. The look centred on strong, dry texture, softly structured shapes and very low side partings, with backcombed roots and brushed-out curls.
Article continues belowAnn Demeulemeester: From preppy to punk rock
At Ann Demeulemeester, hair celebrated individuality, inspired by a university classroom of alternative characters, from rockers and goths to preppy archetypes. Each look was tailored to the model’s natural texture and persona, united by a subtly dishevelled, lived-in finish.
Milan Fashion Week
Sportmax: Air-dried hair
Models walked the runway with damp hair, which appeared to dry as they walked.
Gucci: Deep side parts
The party vibe at Gucci was echoed in the hair, which saw a return to 90's era side parts.
Prada: Greasy strands
At Prada, models embraced an unkempt with greasy looking strands.
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Bluemarine: Low ponytails
Low ponytails and sharp middle parts dominated the runway at Bluemarine.
Fendi: Tousled hair
Hairstylist Guido Palau crafted hair into low buns, leaving out some wavy tendrils.
Etro: Just out of the shower
At Etro, models' hair were doused in water, as if they were freshly out of the shower.
London Fashion Week
Dreaming Eli: Marie Antoinette's court
Hair lead Danilo Giangreco looked to the court of Marie Antoinette, and created dishevelled, party-esque updos.
Paul Costelloe: Sculptural Chignons
Cos Sakkascreated low, sculptural chignons at the nape.
Joseph: Power femininity
Backstage, Anna Cofone, who led the hair, explained that the look was a blend of 1970s freedom and 1980s power femininity. The result was softly pushed back, lived-in and texture-led strands, which aimed to convey the effortless modern woman.
Annie's Ibiza: Romantic silk roses
At Annie's Ibiza, hair lead Sam McKnight created soft, textured updos, which he then adorned with silky pink roses.
Erdem: Texture galore
At Erdem, the hair was romantic, with fuzzy, wispy accents.
Simone Rocha: Weather-beaten hair
Backstage at Simone Rocha, stylist Anthony Turner used Sebastian Professional to create an "exaggerated sense of reality in the hair", drawing inspiration from Perry Ogden’s book Pony Kids, which was a key influence for the show.
Turner says: "Longer hair feels weathered and wind-beaten. Sometimes, textures are lightly deconstructed, and other times, textures are completely deconstructed. This is a narrative of travelling, going from one place to the next... Something that once was and no longer is."
Chet Lo: Glass hair remains king
Hair at Chet Lo was presided over by Anna Cofone, who created glass-like and uber-straight lengths, using Authentic Beauty Concept.
New York Fashion Week
Tory Burch: Stacked Braids
Hair stylist Guido Palau gave models at Tory Burch stacked braids, separated into tiers.
Christian Siriano: Hair Scarves
At Christian Siriano, stylists wrapped models' hair around their necks, it was part scarf, part snood.
Zankov: Side parts are so back
Side parts were everywhere at Zankov, as were unfussy, skew-whiff partings.

Nessa Humayun is the Beauty Editor at Marie Claire UK. With over eight years of editorial experience across lifestyle sectors, Nessa was previously the Editorial Lead of HUNGER Magazine, and has bylines in British Vogue, Dazed, and Cosmopolitan. A self-confessed human guinea pig, Nessa covers everything from product must-haves to long-reads about the industry writ large. Her beauty ethos is all about using products that work hard, so you don't have to.