Taking place at Le Musée d’Art Moderne, Valli’s autumn/winter 22 collection served us some couture looks that emphasises the house’s codes. There were tulle ballgowns of course, as well as plenty of bows, floral details and pops of pastel. There were also some more demure looks such as culottes and cropped cardigans, and prim mini dresses team with thigh-high boots.
There was nothing ordinary about the daily sartorial essentials at Givenchy. Creative Director Matthew M. Williams put his own spin on the white t-shirt, ripped jeans, bombers, trenches and leather trousers, instantly making them the most covetable items you could own. That said, he stayed true to the classic codes of the brand, with showstopper looks including a pearl-encrusted mini dress and a leather evening gown.
‘I really wanted to create a synthesis of powerful, sophisticated femininity, with an interplay of multiple American and Parisian influences, sports and craftsmanship. Next to her stands a contemporary man with an instinct for chic nonchalance. On the runway, both are grounded by a sense of reality,’ says Matthew M. Williams, Creative Director of Givenchy.
Balenciaga’s Demna – who was born in Georgia – paid tribute to the Ukraine with his PFW show, which he admitted to almost cancelling. In a statement, he said, ‘
The war in Ukraine has triggered the pain of a past trauma I have carried in me since 1993, when the same thing happened in my home country and I became a forever refugee. Forever, because that’s something that stays in you. The fear, the desperation, the realization that no one wants you. But I also realized what really matters in life, the most important things, like life itself and human love and compassion.
This is why working on this show this week was so incredibly hard for me. Because in a time like this, fashion loses its relevance and its actual right to exist. Fashion week feels like some kind of an absurdity. I thought for a moment about cancelling the show that I and my team worked hard on and were all looking forward to. But then I realized that cancelling this show would mean giving in, surrendering to the evil that has already hurt me so much for almost 30 years. I decided that I can no longer sacrifice parts of me to that senseless, heartless war of ego.
This show needs to explanation. It is a dedication to fearlessness, to resistance, and to the victory of love and peace.’
The collection itself was more muted than usual, though standout looks included a packing tape catsuit as worn by Kim Kardashian. The most poignant looks were the two final ones: a yellow tracksuit, followed by a blue gown, a tribute to the resilience of the Ukrainian people.
The Lanvin AW22 collection by Bruno Sialelli is a celebration of the paradox and contradiction of fashion, and of the contrasting themes that energised the work of Jeanne Lanvin. Plays of opacity and transparency, of hard and soft, of nostalgia and modernism – of a house both distinctly Parisian, yet with a universal outlook. This collection is a reflection of Lanvin’s heritage – yet, with all reflections, it is refracted, reinvented, itself an illusion – a modern reconfiguration of the codes of Jeanne Lanvin.
For the Chloé Autumn-Winter 2022 collection, Creative Director Gabriela Hearst focuses on a specific climate solution, known as Rewilding, in tandem with her creative flair. This progressive approach to conservation centres on allowing nature to take care of itself, by enabling natural processes to repair damaged ecosystems and restore degraded landscapes.
So, the collection depicts landscapes as climate catastrophes (forest fires, melting glaciers, droughts) contrasted with landscapes visualised as climate successes. These images are depicted on clothing in prints and intarsia knits in recycled cashmere, and hand-painted onto accessories. The Climate Success range is in aid of the Indigenous Women Fellowship program launched by Conservation International 1, which supports Indigenous women’s autonomy and leadership in securing the conservation of their territories and forests across the Amazon.
Cecilie Bahnsen AW22
Cecilie Bahnsen stunned with her AW22 collection, her first showing at Paris Fashion Week, away from her usual stomping ground of Copenhagen. We saw her structural and romantic silhouettes against the backdrop of the Palais de Tokyo, inspired by Tove Ditlevsens “Night Wandering”, transcending the real and the unreal.
When 16th century high fashion meets 21st century high tech. For her Dior AW22 collection, Maria Grazia Chiuri chose a backdrop of The Next Era, a gallery of paintings signed Mariella Bettineschi and composed of large female portraits borrowed from the history of painting from the 16th to the 19th century.
Corsets and flowing gowns are re-constructed for the woman of today, a beautiful exploration of past, present and future. The iconic Bar jacket is reinvented and dressed with technically innovative inserts created by the Italian start-up D-Air lab. Skirts are reimagined thanks to fabrics borrowed from the men’s wardrobe, embroidery adorns technical knitwear, waterproof materials, nylon and cashmere. A nod to the house’s codes, but with a touch of rebellion.
It was an emotional start to Paris Fashion Week last night, with Off-White’s runway show presenting the late Virgil Abloh‘s final collection for the label, after his sudden passing in November.
Celebrities including Rihanna, Serena Williams, Cindy Crawford and Naomi Campbell either watched or walked the show, which, despite the tragic circumstances, was more a celebration of Virgil’s talent than a tribute.
The collection, 𝚂𝚙𝚊𝚌𝚎𝚜𝚑𝚒𝚙 𝙴𝚊𝚛𝚝𝚑: 𝚊𝚗 “𝙸𝚖𝚊𝚐𝚒𝚗𝚊𝚛𝚢 𝙴𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎”, was teased as a ‘cultural reinterpretation, disruption and transformation open the door to future dialogues and formats. No expectations, no stereotypes, no status quo’.
It was a showcase of Virgil’s AW22 collection, which featured his signature flare for mixing high and low items such as oversized hoodies, sequin tops, tailoring and tongue-in-cheek t-shirts and logos, as well as unexpected accessories, this time a riding hat.
But it was also the opportunity to to introduce his latest project, a couture fashion line without the pretentiousness of haute couture. He sadly didn’t get to finish it, so it was completed by his team and collaborators.
Naomi walked in crushed velvet skirt and a top made of necklaces, while Cindy showcased a tulle skirt and a bag emblazoned with ‘More Life’, perhaps a nod to Virgil’s health struggles, and Bella Hadid showed off a puff-sleeved wedding dress.
It’ll be a difficult show to follow for sure, though we’re excited to see what the likes of Dior, Chanel and Valentino have to offer. Keep scrolling for the best runway looks the AW22 collections shown at Paris Fashion Week, and here’s a recap of New York Fashion Week, London and Milan Fashion Week in case you missed them.
Still frame of a moment, frozen in a monochrome sign that pervades everything: Creative Director Pierpaolo Piccioli conceives the new Valentino collection following the experimental urge of a radical gesture. Stripping the palette down to a single hue, relentlessly, he does more with less, maximizing expressive possibilities in the apparent lack of possibilities.
Pink is rampant everywhere, in a total estrangement that includes the set and that is reiterated by the occasional total black and total white intermissions. Pink as a manifestation of the unconscious and a liberation from the need for realism.
Out of a fueling desire to focus on the essentials, getting dressed in a simple and comforting gesture, putting on a men’s
jacket or an oversized coat over a skinny little dress, betting on the cosiness of a cuddly knit dress paired with motocross-
inspired thigh-high boots.
At a determined pace, this girl walks through town in her multi-pocket jeans, curling up in a duvet-like bomber jacket, a
tight mohair sweater or a suede tunic shirt. As a nod to Y2K fashion, the all-denim looks flirt with naively sexy dresses
printed in flower patterns while furry sweaters turn into mini dresses.
Motifs inspired by Persian carpets echo the burnt and neon orange hues and mingle with a metallic blue. Raw fabrics such
as nylon and leather contrast with the softness of hairy mohairs and the sparkle of sequins.
The alternative ballads of American rock band Blonde Redhead resonate in the hushed atmosphere of the Palais Royal.
“I was thinking about this idea of emotional patchworking. When I was a kid, my journey into fashion started when I started cutting things up and putting them back together. This collection is about creating from what is around us, making something new from something familiar. It is about stitching, mending, repairing. It is not destructive or anarchic – it is about the act of putting things back together, and the beauty of repair.
It is experimenting with the materials at the heart of Acne Studios – denim, leather, jersey, knit – as well as elevating materials we live with every day.” - Jonny Johansson
A longtime dream to show at Paris, Cecilie Bahnsen presents her first runway show in the French capital at Palais de Tokyo, bringing her modern Scandinavian interpretation of Parisian couture fabrics and techniques. Incorporating structural silhouettes into her romantic universe, building a dialogue of pieces to treasure and cherish.
Nanushka celebrates its creative study of functional and intuitive design - introduced last season - for Fall/Winter 2022. Entitled Industrial Craft, the offer is a renewed interpretation of Sandra Sandor’s ongoing axiom - that if a garment is designed to function well, it will, by definition, be beautiful.
Within the fevered imagination, lifelong devotion to art, and guarded private universe of Yves Saint Laurent, the style known
as Art Deco occupied a special place. One of his earliest, most prized acquisitions for his personal collection of objects
was a pair of Dunand vases originally exhibited in 1925 at the Exposition Internationale des Arts Décoratifs. The modernist
interiors Jean-Michel Frank designed for avant-garde patrons in the 1930s profoundly impacted how Yves decorated his
Paris residence decades later. Few traces of Art Deco, however, could be found in the designer’s runway collections.
Fall Winter 2022 equips the Raquel Diniz woman with a wardrobe of luxurious pieces, romantic and sophisticated, seductive and sparkling, which transition from day to night. Paying homage to her native Brazil, the collection receives its name after the capital city and takes inspiration from the modern works of Brazilian architect Oscar Niemeyer, considered a key figure in the development of modern architecture.
.P.C. has just shared their FW22 Collection and it's all about friendship - featuring the children and grandchildren of long-time collaborators such as stylist Camille Bidault-Waddington, former Paris Vogue editor Emmanuelle Alt, and icon Jane Birkin.