5 reasons why Marc Jacobs’ Autumn/Winter ‘24 show was brilliant
Expect the unexpected
Everything about Marc Jacobs’ Autumn/Winter ‘24 catwalk show was beautifully offbeat, not least the timing. Taking place on 1st July, it was out of the usual fashion programming – belated, in fact. It turns out, the saying is right; good things do come to those who wait.
The show was larger than life – literally so. As with the American designer’s Spring/Summer ‘24 collection, garments had extremely exaggerated proportions, creating a paper-doll-like effect.
The idea of metamorphosis was reflected in the show notes, which read, ‘We use fashion to embrace bold and courageous self-expression [...] allowing us to freely explore and display our thoughts, desires, and identities in a deeper pursuit of joy, beauty and personal transformation.’
In a nutshell, Jacobs’ maxim is ‘Joy, period.’ Want to know how he achieved that? This is your guide to a very memorable show, in five key takeaways.
1. There was a modern Marilyn Monroe moment
The first look from the show was a white, halterneck dress – a cartoonish reimagining of the William Travilla dress Monroe wore in The Seven Year Itch. No gust of wind needed; the skirt is structured so it is permanently in mid-air.
2. Minnie Mouse is muse
The famous mouse's polka dots were supersized and splashed upon an A-line skirt, while her long-lashed peepers were a recurring feature in the show.
3. The Breton tee got an upgrade
We want ours oversized with dramatic structure and a '60s-tinged boatneck. Hello, sailor.
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4. There is a new bag to covet
The top-handled, chain-adorned messenger came in various guises – milky suede, cerise-pink, and in quilted form, perhaps a reference to Jacobs' iconic Stam bag. A future classic designer handbag.
5. Marc knows how to draw a crowd
...and not just any crowd. The front row was filled with icons, including Debbie Harry, Chloe Sevigny, Hari Nef, Winnie Harlow, Anna Sui and Sofia Coppola.
Natalie Hughes is Fashion Editor at Marie Claire UK. She writes and edits fashion show reviews, trend features and interviews with designers and tastemakers. She has a special interest in vintage and pre-loved, as well as the history of fashion, and has written extensively on the subject. She also consults for luxury brands.
Natalie has worked in the fashion industry for 16 years, contributing to Harper's Bazaar, Elle, Who What Wear, Glamour, and more. Both an experienced editor and strategist, she also founded and ran the digital content agency, The Fashion Digital, with clients including the British Fashion Council, Roland Mouret, and H&M. Formerly, she held senior roles at Matches, Net-a-Porter and Christian Louboutin, where she oversaw content and digital strategy.