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    1. Celebrity News

    'Love Actually' director Richard Curtis now regrets how his films discuss women's bodies

    He admitted he made wrong choices

    Iris Goldsztajn's avatar
    By Iris Goldsztajn
    Published 17 October 2023 In News

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    Screenwriter Richard Curtis speaks at the VIP Opening Night Dinner during Advertising Week 2015 AWXII at the New York Friars Club on September 28, 2015 in New York City
    (Image credit: Getty Images)
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    Richard Curtis is a beloved director and screenwriter of romantic comedies, but that doesn't mean he stands by everything that went into some of his most famous films — especially ones from the early noughties such as Love Actually and Bridget Jones' Diary.

    In the intervening years since these two movies were first released (2003 and 2001, respectively), they have made the object of a lot of criticism because of issues such as their lack of diversity and the way women are portrayed in them — and Richard is the first to admit he missed the mark.

    "I remember how shocked I was five years ago when Scarlett said to me: 'You can never use the word 'fat' again," the filmmaker said at the Times and Sunday Times Cheltenham literature festival (via The Guardian).

    "Wow, you were right. In my generation, calling someone chubby [was funny] — in Love Actually there were jokes about that. Those jokes aren’t any longer funny."

    In that film, Martine McCutcheon's character, Natalie, is repeatedly body-shamed, with another female character commenting that she has a "sizeable arse" and "huge thighs," among other uncomfortable (and frankly unacceptable) moments.

    For additional context, Richard's daughter Scarlett Curtis is the writer of Feminists Don't Wear Pink (and Other Lies), and — like many millennial women — takes it upon herself to open her dad's eyes to the way social perspectives have shifted over the years.

    Richard was also asked about the absence of people of colour in the cast of Notting Hill, and whether he regretted that decision.

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    "Yes, I wish I’d been ahead of the curve," he said. "Because I came from a very undiverse school and bunch of university friends, I think that I’ve hung on, on the diversity issue, to the feeling that I wouldn’t know how to write those parts. I think I was just sort of stupid and wrong about that."

    Richard has also worked on Four Weddings and a Funeral, About Time, The Boat That Rocked, Yesterday, and many more.

    Iris Goldsztajn
    Iris Goldsztajn
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    Freelance News Writer

    Iris Goldsztajn is a freelance news writer for Marie Claire UK. She covers celebrity and royal news, and has previously written for titles including Marie Claire US, InStlyle, Women's Health, Bustle, Stylist and Red.

    Aside from her quasi-personal investment in celebs' comings and goings, she is especially interested in debunking diet culture and de-stigmatising mental health struggles.

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