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    Anne de Carbuccia explores climate change through photography

    Artist Anne de Carbuccia travels the world documenting environmental issues, and her haunting photographs evoke a powerful call to action

    Maria Coole's avatar
    By Maria Coole
    Published 19 February 2019 In Features

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    anne de carbuccia
    (Image credit: Anne de Carbuccia)
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    Artist Anne de Carbuccia travels the world documenting environmental issues, and her haunting photographs evoke a powerful call to action

    Words by Maria Coole

    ‘Antarctica is at the front line of climate change,’ says photographer Anne de Carbuccia, after visiting the continent to record environmental changes in a series of compelling images. ‘I was only allowed 30 minutes on the iceberg, as it could have capsized at any time. I quickly placed some seal skulls I’d borrowed from a biologist on the ground around a whale bone. When I finished, the wind dropped and the sun radiated a golden light.’

    Antarctic and Southern Elephant seal skull
    (Image credit: Anne de Carbuccia)

    Carbuccia’s temporary time shrines appear in each of the French-American’s photographs, in locations such as North Dakota and Italy’s Lampedusa, all part of her ongoing artistic project, One Planet One Future. The staged compositions of a skull and an hourglass represent the futility of life and the inevitable passing of time. Each is completed with organic elements and objects chosen by Carbuccia for their symbolic meaning. ‘My work is about resilience. I make it to seduce the viewer into action, rather than to please them,’ she says.

    In 2016, Carbuccia established the non-profit Time Shrine Foundation to make a strong case for change by combining photography, film and art installations, raising awareness of the ongoing environmental crisis. ‘The consequences to flora, fauna and people are devastating,’ she says. ‘We only have five to ten years to reset, or there will be nothing left to photograph except devastation for the next generation.’

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    ‘We only have five to ten years to reset, or there will be nothing left except devastation’

    The mother-of-three admits her passion stems from ‘channelling my own anxieties as a mother’ for the future of the planet. Through educational talks and exhibitions, she works closely with young people to promote change through small steps. ‘There is a new generation of leaders who, in a few years’ time, will make a big difference,’ she says of her collaboration with a host of activists on a new film project. Her first film, One Ocean, a short documentary about the impact of climate change on the sea, had its world premiere at the 75th Venice International Film Festival last year to critical acclaim.

    Her next shoot will be on the outskirts of Rome in an area known as fridge valley. ‘It’s where people dump fridges in their thousands. Our daily thoughts and actions affect the planet as a whole, and that’s empowering because it means that if we choose to, we can change the future of the world overnight.’

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    For more details, visit annedecarbuccia.com and make a donation at oneplanetonefuture.org. This will help it continue its work with schools and local communities to secure the future of the planet.

    Maria Coole
    Maria Coole
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    Maria Coole is a contributing editor on Marie Claire.

    Hello Marie Claire readers – you have reached your daily destination. I really hope you’re enjoying our reads and I'm very interested to know what you shared, liked and didn’t like (gah, it happens) by emailing me at: maria.coole@freelance.ti-media.com

    But if you fancy finding out who you’re venting to then let me tell you I’m the one on the team that remembers the Spice Girls the first time round. I confidently predicted they’d be a one-hit wonder in the pages of Bliss magazine where I was deputy editor through the second half of the 90s. Having soundly killed any career ambitions in music journalism I’ve managed to keep myself in glow-boosting moisturisers and theatre tickets with a centuries-spanning career in journalism.

    Yes, predating t’internet, when 'I’ll fax you' was grunted down a phone with a cord attached to it; when Glastonbury was still accessible by casually going under or over a flimsy fence; when gatecrashing a Foo Fighters aftershow party was easy-peasy-lemon-squeezy and tapping Dave Grohl on the shoulder was... oh sorry I like to ramble.

    Originally born and bred in that there Welsh seaside town kindly given a new lease of life by Gavin & Stacey, I started out as a junior writer for the Girl Guides and eventually earned enough Brownie points to move on and have a blast as deputy editor of Bliss, New Woman and editor of People newspaper magazine. I was on the launch team of Look in 2007 - where I stuck around as deputy editor and acting editor for almost ten years - shaping a magazine and website at the forefront of body positivity, mental wellbeing and empowering features. More recently, I’ve been Closer executive editor, assistant editor at the Financial Times’s How To Spend It (yes thanks, no probs with that life skill) and now I’m making my inner fangirl’s dream come true by working on this agenda-setting brand, the one that inspired me to become a journalist when Marie Claire launched back in 1988.

    I’m a theatre addict, lover of Marvel franchises, most hard cheeses, all types of trees, half-price Itsu, cats, Dr Who, cherry tomatoes, Curly-Wurly, cats, blueberries, cats, boiled eggs, cats, maxi dresses, cats, Adidas shelltops, cats and their kittens. I’ve never knowingly operated any household white goods and once served Ripples as a main course. And finally, always remember what the late great Nora Ephron said, ‘Everything is copy.’

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