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    1. Culture
    2. TV and Film

    Tropes for women: why The Crown's not the only one show needing an urgent reset

    The Crown's portrayal of Diana as a one-dimensional victim is the latest and unsurprising example of tired tropes for women. Author and performer, Anneka Harry, says it's time for accurate representations of imperfect female characters

    Maria Coole's avatar
    By Maria Coole
    Published 1 December 2020 In Features

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    The Crown's portrayal of Diana as a one-dimensional victim is the latest and unsurprising example of tired tropes for women. Author and performer, Anneka Harry, says it's time for accurate representations of imperfect female characters

    While our creative industries wait for the government to locate a braincell and remember we contribute over £113 billion to the UK economy every year (approximately £112,985,000,000 more than grouse-shooting), we’ve got some time on our hands to consider how to come back stronger than ever. I've had it with tired tropes for women and here's why. Our mass media is lauded world-over but it’s long overdue an agenda reset. And you can bet my viable, tax-paying arse that the more true-telling, accurate representations of and stories about women we start to see, the richer we will all be. 

    Tired tropes for woman de-power us 

    We need to go back to basics and bust apart the dead horse female character tropes and appropriations that are still tirelessly trotted out. We need less censorship of female behaviour. We need more women and we need raw women. We need not for personalities to be depicted by skin or hair colour alone. We need for women to stop being used as props or reduced to slabs. We need to say buh-bye to binaries, to mythical beauty standards and to being ‘nice’.

    We need plots that don’t revolve solely around women’s rape, exploitation and/or death. We need women to no longer be outnumbered by penises or have been written only to have one symbolically, or in actuality, thrust toward her. Bring on the new, strong, dynamic, multifaceted, fully rounded and imperfect female characters! (Stop talking about me reader, you’ll make me blush).

    tropes for women

    Author Anneka Harry

    Stereotypes and received ideas about women creep into our everyday and unconscious bias… The Femme Fatale! The Manic Pixie Dreamgirl! Token Asian Friend! Sassy Black Woman! Iron Lady! The Inspirationally Disabled Love Interest! The Whore! You can picture them, can’t you?

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    Meanwhile, men are allowed to play The Hero, Prince Charming, The Knight in Shining Armour, The Alpha Male, Cool Dad, Chick Magnet, Lovable Jock, Breadwinner and Hunk. They are celebrated for their flaws whilst we are vilified. It goes without saying that male tropes suck too but the majority have had guys feeling like they can unremittingly swing stuff their way (and just look where that’s got us). 

    Stop the virtue signalling 

    There’s an obnoxious amount of white-knighting and virtue signalling going on as the world slowly wakes up and recognizes that the only distress the damsels are experiencing is as a result of how they are being portrayed. I’d enrage you with some statistics but there’s far more to authentic representation than percentages and big cheeses who bandy about BAME and LGBTQ+ type acronyms at any given opportunity in the hope of a quick-fix. We may be finally being treated to more characters with opinions and less who aren’t simply walking female reproductive systems - but the need-for-change-clock is ticking far more ferociously than our ovaries. 

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    In my latest book called Lady Sidekick: 50 Tired Tropes for Women, the case studies are twisted representations and oversimplifications of truths because tropes are meant to de-power women. As the current climate changes, far too many of our tropes do not (the fact this book felt like such an easy write is a ‘go figure’ rather than an own horn toot). If any of the language, terminology, character descriptions or illustration doth offend, spike your blood pressure or ruin your enjoyment, please remember that it’s sort of the point…

    Until we can laugh at the mess we’re in, we’ll never get out of it. Hope you enjoy this trope from my book.

    The Damsel In Distress

    An oldie but a goodie. We’ve been raised on them, we’ve been raised to BE them! Apart from creating her own brand of helplessness, she’s so run of the mill and nondescript it’s tricky to pin the damsel down but, NEVER FEAR – a man will be along to do so shortly. 

    Once upon a time, lost and alone in a wasteland of patriarchy, our time-honoured classic DAMSEL IN DISTRESS waited resignedly atop a tower for her knight in shining armour to show up. The fair maiden’s dismay leaked from her eyes as she daydreamed of becoming one of these ‘Modern-Day Damsels in Distress’. The type that, despite centuries of chauvinism, have adapted to need rescuing from fixes as simple as being too weak to open jars instead.  How liberated women have become!

    tropes for women

    * Lady Sidekick: 50 Tired Tropes for Women by Anneka Harry and illustrated by Laura Dockrill (The History Press, £9.99) is on sale now

    Maria Coole
    Maria Coole
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    Maria Coole is a contributing editor on Marie Claire.

    Hello Marie Claire readers – you have reached your daily destination. I really hope you’re enjoying our reads and I'm very interested to know what you shared, liked and didn’t like (gah, it happens) by emailing me at: maria.coole@freelance.ti-media.com

    But if you fancy finding out who you’re venting to then let me tell you I’m the one on the team that remembers the Spice Girls the first time round. I confidently predicted they’d be a one-hit wonder in the pages of Bliss magazine where I was deputy editor through the second half of the 90s. Having soundly killed any career ambitions in music journalism I’ve managed to keep myself in glow-boosting moisturisers and theatre tickets with a centuries-spanning career in journalism.

    Yes, predating t’internet, when 'I’ll fax you' was grunted down a phone with a cord attached to it; when Glastonbury was still accessible by casually going under or over a flimsy fence; when gatecrashing a Foo Fighters aftershow party was easy-peasy-lemon-squeezy and tapping Dave Grohl on the shoulder was... oh sorry I like to ramble.

    Originally born and bred in that there Welsh seaside town kindly given a new lease of life by Gavin & Stacey, I started out as a junior writer for the Girl Guides and eventually earned enough Brownie points to move on and have a blast as deputy editor of Bliss, New Woman and editor of People newspaper magazine. I was on the launch team of Look in 2007 - where I stuck around as deputy editor and acting editor for almost ten years - shaping a magazine and website at the forefront of body positivity, mental wellbeing and empowering features. More recently, I’ve been Closer executive editor, assistant editor at the Financial Times’s How To Spend It (yes thanks, no probs with that life skill) and now I’m making my inner fangirl’s dream come true by working on this agenda-setting brand, the one that inspired me to become a journalist when Marie Claire launched back in 1988.

    I’m a theatre addict, lover of Marvel franchises, most hard cheeses, all types of trees, half-price Itsu, cats, Dr Who, cherry tomatoes, Curly-Wurly, cats, blueberries, cats, boiled eggs, cats, maxi dresses, cats, Adidas shelltops, cats and their kittens. I’ve never knowingly operated any household white goods and once served Ripples as a main course. And finally, always remember what the late great Nora Ephron said, ‘Everything is copy.’

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